There’s quite a bit of interest in “shelters” from the art scene, with exhibitions that cover that theme (like Shelter at Kasteel Nijenhuis in Heino). Well, let me then point you to the project Dream Depot that I naturally find very relevant, interesting and also well executed, as it is led by the Irish-born, Amsterdam-based artist Fiona Whelan. (Mostly referred to as F. on this blog).

In January she conducted a first part of this project in Kildare, with a group of youth. They (the youth themselves) developed, designed and built a mobile hang-out under the direction of Fiona Whelan (plus help from the Kildare Town Youth Project and a local carpenter). There’s nothing for these youth in Kildare, nowhere to go – so this is their solution and statement.

On the pictures you see them taking the hang-out through the streets of Kildare a few weeks ago.

More on Fiona Whelan and Dream Depot: http://www.xs4all.nl/~fwhelan/.

This afternoon I did an hour and a half of ‘real’ radio at the studio of Radio Oltranzista: http://www.radioltranzista.net/. Federico Bonelli had asked me to come to the studio to play some stuff and I’d quickly copied a bunch files from my harddisk to choose from. I know of Federico’s love for futurism and interest in poetry – so I started with James Joyce reading Anna Livia Plurabelle. Then via Cage’s Roaratorio and Imaginary Landscapes 4, to Walter Ruttmann’s Weekend. Then, to wake up, some loud USA/USB, after 8 minutes merging to Oorbeek, to old wax recordings from Uzbekistan (1905) and Angola. Followed by Ezra Pound and Charles Olson reading poetry, ending with a glorious set by Pho. We’ll do it again. It was great fun. The magic of radio still exists when you’re in a studio, making a program live, improvising.

This is the time of the endexam exhibitions of the arts academies. So I’ll plug the exhibition of the Frank Mohr Institute, that runs from now till the 8th of July in the building of Media Arts Friesland in Leeuwarden (Nieuweweg 1a, in the centre, above the Halfords/MacDonalds). Painting and Interactive Media are in the same building. Worth a visit if only for the organ-installation of Steven Jouwersma: http://borgels.blogspot.com/. Also the rest is very much worth the visit.

I’ll also point you to the exhibition of ‘our friendly competitor’ the Piet Zwart Institute, whose students will invade the stage of Worm in Rotterdam: http://www.wormweb.nl/agenda.php?id=1002.

Then, connected to the upcoming 5daysoff-festival, Montevideo has a show with a lot of sound art, (In)visible Sound: http://www.montevideo.nl/nl/agenda/detail_agenda.php?id=361&archief=M

But most of all I’d like to plug the breathtaking exhibition that Lucas van der Velden curated at the Vleeshal and the Kabinetten van de Vleeshal in Middelburg – with very careful, precise, concentrated works of Thomas Köner, Jürgen Reble, Jan-Peter E.R. Sonntag and Ryoji Ikeda: http://www.vleeshal.nl/.

Went to see the three choreographies written for three Duivelsdansen of Simeon ten Holt at the Oude Kerk. I did not go to hear the music of Ten Holt. I will gladly admit that his music has its own value and its own signature – but I experience it as high culture kitsch. I went there because F. has worked together with Hillary Blake Firestone – one of the 3 choreographers/dancers.

I didn’t like much of the dance either. The first dancer moved very beautifully but ran out of ideas after five minutes, the rest was fragmentary and overly dramatic. The last piece was even worse. It was full of moments were I imagined myself as a teacher asking the aspiring student “why didn’t you go for this, why didn’t you explore that, try to be more radical, dare to be minimal.” It was utterly boring, stupidly dramatic, and well, a sort of good taste amateur theatre, only better performed and with a much more expensive decor. And then there was this superfluous gimmick of the grand piano slowly making its way through the space…

Hillary Blake Firestone’s piece saved the night. She used gaffer tape (an idea she “stole” from F. – who used tape extensively for the decor in Hillary’s Featherweight). She demarcated the space, she dared to be playful and she dared to be minimal. Her physical dance – in which she referred to the body movements of track atlethics – grabbed the attention, and what’s more, through her dance she made me realize how Ten Holt also refers to stride piano in his work. (Which made me a more sympathetic towards the music).

When you want to make a choreography for Ten Holt, you have, I think, two choices: be just as minimal as the music (wear yourself out, as a dancer, doing the same thing over and over again), or completely go against it. The other two dancers didn’t do either and just brought some unbearable ‘drama’ to ‘kitschy’ music, in a beautiful church. Hillary dared to do something different and dared to be minimal – as long as she did that, it was utterly convincing.

As promised, Serge’s footage (alas just 20 seconds) of Jack Gallagher and Oorbeek in the pouring rain: http://www.youtube.com/watch?v=cLplqeQAKJM.

Oorbeek was scheduled to play at the the Vondelpark Openluchttheater tonight – the outdoor theatre in the park, together with the dance group Bodies Anonymous of Jack Gallagher: http://www.openluchttheater.nl/ and http://www.bodiesanonymous.nl/. The weather forecast was: 90% chance for rain. We were supposed to perform on the dancefloor outside, (so not under the roof on the podium), and for that it had to be dry. To dance on it, it would have to be completely dry.

Well, we set up out equipment on the podium. Knowing the chance for rain was simply to great to put amplifiers out on the dancefloor (that had been the plan). At 6.30 it began to rain. Then it started pouring. And then: lighting and thunder. First we’d still hoped to play, now we even had to turn off all the electric equipment. It was 7.30. It kept on raining. No soundcheck. We were supposed to start at 8.30. The group after us – the much more famous dance ensemble Leine and Roebana – would play from nine on.

We heard that the dancefloor had not been used yet. Every friday since june the 3d they’d put it there, and every time they had had to cancel due to rain.

It kept on pouring. Even if the rain would stop at 8.30 there was no chance the dancefloor would be dry. There was like a few centimeters of water on top of it. The rain was torrentuous.

And then, when finally the moment came to decide what to do and everybody – and surely the people of the Vondelpark – thought the programme would be cancelled, Jack said: “I just wanna do my thing, rain or not, water or not.”

The Vondelpark people were happily surprised. The soundman was off to his booth and quickly turned on the mics for Maarten.

And at 8.30 Jach Gallagher was out there in the torrentuous rain on a horribly slippery dancefloor, and we were on stage with our instruments, and the lightmen turned on the stagelight, it seemed as if the sun was coming out to shine, we gave the sign: he danced, slided through the puddles of water – finally the dancefloor was used – and we played.

About 40 people had come out to watch.

It was wonderful.

We played for just 10 minutes, and Jack danced.

Funny to think, that one lives for such moments, those 10 minutes to do one’s thing.

Leine and Roebana had already decided to not play, but when they saw that we played, they decided to come out and do something too. Not the whole performance (the dancefloor was unusable, dangerous – what Jack did was extraordinary), just two Rennaissance songs, accompanied by theorbe and dance from their star performer.

That was beautiful. Breathtaking. (Is it allowed to exaggerate a little?)

The rain did not stop for one moment.

Serge made at least one little movie. When he’s uploaded that to Youtube I’ll post the link.

Waarvoor excuses naar Baran Bouw, dan.

& the start of summer, they say. On friday 15th, from 20.00h on, at Mediamatic in Amsterdam: DNK end of the season event. With an installation, Open DI Night (with a.o. Yolande Harris, Brian McKenna, Marko Ciciliani, Ivo Bol, Alfredo Genovesi and Taylan Susam) and of course party with DJ Bumbum Hey and DJ Scumbag.

Be lots of fun.

Info: http://www.mediamatic.net/artefact-17358-en.html

& also check out the new stunning website of DNK: http://www.dnk-amsterdam.com/.

(Euh, with in the photo-section, a photo of me, looking at my laptop during the previous Open DI Night, trying to make my improvised piece work, which wasn’t a success. Luckily it was just a few minutes).

Even een aankondiging tussendoor:

Vrijdag 15 juni, van 13.00 tot 17:00
Symposium Bundel, Boek, Blog

“Tijdens de middag zal een groep literatuurwetenschappers, bloggers, mediatheoretici, dichters en vormgevers discussieren over de implicaties van het feit dat literatuur, en met name poezie, vandaag de dag steeds minder in boekvorm tot ons komt, maar verspreid wordt via websites & blogs, of voorgedragen wordt op poetry-slams. Wat betekent dit voor onze omgang met gedichten? Hoe ziet de toekomst van het boek als fysiek object er uit?”

Sprekers:
Thomas Vaessens
Arie Altena
Cornelia Graebner
Chrétien Breukers
Samuel Vriezen
Frans Oosterhof

Gratis alhier: Letterenfaculteit Universiteit Leiden, gebouw 1162 (Van Wijkplaats 2) zaal 002.

(Georganiseerd door de Nederlandse Vereniging voor Algemene Literatuurwetenschap en de Opleiding Literatuurwetenschap Universiteit Leiden.)

… the Arno Schmidt-reference library (see http://www.gasl.org) is an online collection of pdf’s of books that Arno Schmidt owned and to which he often referred in his novels. Shakespeare, Jules Verne, Tobias Smollett, Herodotos. Nice for the fans of Schmidt and the literature-professors.

But in the 3 years of its existence it has already send 400.000 texts into the world. Interestingly, from december 2006 on the downloads increased dramatically because China allowed province after province access to the reference library.

Says Günter Jürgensmeier of GASL, in an e-mail to the Schmidt-discussion list:

“Die Referenzbibliothek hat damit im zurückliegenden Jahr vermutlich erheblich mehr für die Bildung getan als die Bayrische Staatsregierung. “Jaja”, rufen da die Herren Goppel/Schneider unisono, “für die Bildung der Chinesen!” Naja, immerhin!)”