Topologies
Catching a tiny bit of the ATACD-seminars at V2_: http://www.atacd.net/. ANT, mapping and representations of data. For an idea of what this is about: http://www.demoscience.org/.
Catching a tiny bit of the ATACD-seminars at V2_: http://www.atacd.net/. ANT, mapping and representations of data. For an idea of what this is about: http://www.demoscience.org/.
Just ordered George Lewis’ history of the AACM, A Power Stronger Than Itself
The AACM and American Experimental Music. Seems to be out, though Amazon still lists it as ‘not yet published’. I have been listening a lot to music from that scene the past year, so I’m craving for some ‘deeper’ information. Also curious what George Lewis has to say. The very first concert of free improv music that I witnessed was George Lewis + Gerry Hemingway and I love his sound on the trombone. Though I am sometimes put off by his writings, he can be heavy-handed (?) when he does theory. Here’s an excerpt: http://www.press.uchicago.edu/Misc/Chicago/476957.html
Since a few months I work on the Macbook. Ever since I have at least wondered once a day how the design-team of this computer could’ve come up with the idea of the glossy mirror-screen AND implement it. One user-test in a real world situation would’ve shown that it has severe shortcomings. Whenever I write, I look at myself thinking through the the screen that carries the words I am typing. Who wants to look in the mirror all the time while writing, working, looking at webpages?
Or is this supposed to hail a new era of continuous self-consciousness?
My first German-language publication will soon be available. It’s a text on locative art and the work of Esther Polak in McLuhan Neu Lesen edited by Martina Leeker, Kerstin Schmidt and Derrick de Kerckhove: http://www.transcript-verlag.de/ts762/ts762.htm.
By now halfway the third day of Sonic Acts XII, if you can’t be (t)here, follow the livestreams and the blogs of our team of bloggers: http://www.sonicacts.com/wordpress/?cat=184/.
One of the reasons for not blogging too much is that I’ve been working on Sonic Acts XII The Cinematic Experience. The festival takes place from 21 – 24 February. Most of my time went into editing the book. Yesterday the book was delivered at the Sonic Acts office – I have not even seen it myself (will pick up a copy later today).
The book will be available during the festival, and can also already be ordered online at: http://www.sim-central.nl/detail.php?id=5757.
More info on the book and the festival at the Sonic Acts XII site: http://www.sonicacts.com/.
Is the ‘quality’ of what you are doing reflected in the sites that Google sends you to, acting on your queries?
http://1010.co.uk/index.html
http://www.lfmc.org/
http://www.sensesofcinema.com/contents/directors/index.html
Such a pleasure to come across a good homepage. Here’s Douglas Kahn’s: http://www.douglaskahn.com. He is of course, the author of Noise, Water, Meat, probably one of the best books on sound in the arts.
He’s also editor now of an academic magazine on Sensory Studies: The Senses and Society, behind the academic firewall, but the first issue is available for free: http://www.ingentaconnect.com/content/berg/tsas/numberandsomesessioninfo.
Haven’t read any of this yet, but I’ve collected the links:
The American NEA has published a study on reading: http://www.nea.gov/news/news07/TRNR.html.
Critiques from Matthew Kirschenbaum: http://chronicle.com/temp/reprint.php?id=fgprwfnh32l7d3thj18vh3jz79k9f6fw
And discussion on if:book: http://www.futureofthebook.org/archives/2007/11/the_neas_misreading_of_reading.html.
All this via Jill Walker: http://jilltxt.net/?p=2184.
Collaborative blog about 18th-century literature, with 2 excellent collaborative readings: http://long18th.wordpress.com/. The critical discussion of The Triumph of Augustan Poetics: English Literary Culture from Butler to Johnson, a book by Blanford Parke, made me almost buy the book immediately…